Bess Frankel
  • About + Resumé
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    • Directing
    • Playwriting
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News
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January 2026

​Bess began a new full-time position at Roundabout Theatre Company, as the Assistant to the Artistic Director, Christopher Ashley.

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January 2026

​Bess was grateful to be invited to become an ensemble member at New Circle Theatre Company.

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​​July-August 2025

​Bess returned for a fourth summer to teach Screenwriting as part of the NextGen Leadership Institute at Barnard College.

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April-May 2025

​Bess worked as the dramaturg for Amalia Oliva Rojas' play I Hope this Letter Reaches Mictlán, as Amalia's MFA thesis in Playwriting from Columbia University.

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March-April 2025

​Bess directed a production of False Alarm by Emma Goldman-Sherman, as part of the New Circle Theatre Company Spring Short Play Festival.

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March 2025

​Bess was chosen as a finalist for the 2025 Lanford Wilson New American Play Festival.

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​​October-November 2024

​Bess directed a production of Start Then Next by Libby Heily, produced by New Circle Theatre Company.

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​September 2024

​Bess was a two-time quarterfinalist for the 2024 Austin Film Festival Screenplay Competition:
- Skipping Stones | Short Form
- The Visitors | Comedy Feature

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​January-February 2024

​Bess directed a workshop of her adaptation, Pippin: Her Life and Times, at her alma mater the University of Michigan, working with students in the Musical Theatre Department.

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September 2023

​Bess directed a public staged reading of Bad Things by Shara Feit at the Dramatists Guild's Mary Rodgers Room.

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April 2023

In personal news, Bess spent the spring planning and celebrating her wedding.

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​February 2023

​Bess spoke with hosts Hannah Joyce and Alayna Jacqueline o
n the Playwrights Center's Theatre Begins podcast.

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​January 2023

​Bess proudly joined the Stage Directors and Choreographers Society.

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August-September 2022

​Bess associate directed Clyde's at the Goodman Theater in Chicago, under the direction of Kate Whoriskey.

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June 2022

​After over four years, Bess s
tepped away as Lynn Nottage's assistant to focus on her work as a playwright, director, and television writer. Her last day was Lynn's record-breaking evening at the 2022 Tony Awards.

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​​​May 2022

​Bess was chosen as a finalist for the 2022 Eugene O'Neill Playwrights Conference, and for the 2022 Drama League's Beatrice Terry Residency.

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​​October-November 2021

​Bess assisted Lynn Nottage on her Broadway production of Clyde's, produced by Second Stage at the Helen Hayes Theater.

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​March 2020

​Bess began rehearsals as assistant director of Assassins at Classic Stage Company, before the pandemic shutdown.

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March 2, 2020

​The German Party
received a public reading at Asolo Repertory Theater in Sarasota, Florida.

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​September-December 2019

​Bess completed her first semester as Co-Director and Head of Playwriting, the playwriting and producing students of CreateHER presented their ​end-of-year performance. She remained as the Head of Playwriting for this program until spring 2024.

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September 2019

​2076
 was a finalist in the ​Columbia @ Roundabout ​2019 Reading Series.

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April-June 2019

​Bess assisted Lynn Nottage on the world premiere of her musical adaptation of The Secret Life of Bees at the Atlantic Theater.

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​​October 2018

​2076
 was a finalist for the ​Playwrights Realm’s ​2018-2019 Fellowship.

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​August 2018

​Bess was accepted into the 2018-2019 Manhattan Theatre Club ​Directing Fellowship.

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​​February–May 2018

​Bess assisted Lynn Nottage on the world premiere of her play Mlima’s Tale at the Public Theater.

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January-​February 2018

​​Bess wrote and directed 2076
​
at Columbia’s School of the Arts.​

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​​August-​​September 2017

​Neuroclear 
(formerly, Much Better) received a developmental production with the Really-Really Theatre Group ​in Seattle.

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​July 2017

​Bess worked on the Dramatic Writing faculty at the Broadway for All ​Summer Conservatory.

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June 2017

​The German Party
 was a finalist in the Columbia @ Roundabout 2017 Reading Series.

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April 29, 2017

​Bess' one-act, Shelter, was awarded the 2017 Bill Broyles Award for Drama, presented by the American Marine Corps Heritage Foundation. Bess received this award in Virginia at the National Museum of the Marine Corps, where there is now an engraved brick with her name and the name of her play ​outside the museum.

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​May & ​October 2016

​There were two public staged readings of The German Party this year, starring a majority of the same cast in both performances. One reading was at Columbia University; and one was at Pearl Studios.

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​April 2016

​Bess co-directed a production of A Midsummer Night’s Dream, starring the students of East Harlem Tutorial Program’s Middle School Drama Class.

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​April 2016

​Bess' play Jerusalem is Beautiful was produced by Porch Light Productions in ​Glen Rock, New Jersey.

  • About + Resumé
  • Works
    • Directing
    • Playwriting
  • My Name
  • News
  • Contact